Twilight of Idols and Anti-Christ
In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a āgrand declaration of warā on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzcheās final assault on institutional Christianity, in which he identifies himself with the āDionysianā artist and confronts Christ; the only opponent he feels worthy of him.
In his introduction Michael Tanner discussed the themes of Nietzcheās argument and places the works in their historical and philosophical context.
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Description
In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a āgrand declaration of warā on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzcheās final assault on institutional Christianity, in which he identifies himself with the āDionysianā artist and confronts Christ; the only opponent he feels worthy of him.
In his introduction Michael Tanner discussed the themes of Nietzcheās argument and places the works in their historical and philosophical context.










